{"id":1709,"date":"2020-05-21T17:11:30","date_gmt":"2020-05-21T17:11:30","guid":{"rendered":"http:\/\/cesatiecesati.com\/?p=1709"},"modified":"2023-09-28T10:54:15","modified_gmt":"2023-09-28T10:54:15","slug":"an-appealing-spanish-lock","status":"publish","type":"post","link":"https:\/\/www.cesatiecesati.com\/en\/an-appealing-spanish-lock\/","title":{"rendered":"An Appealing Spanish Lock"},"content":{"rendered":"<p>This intriguing ironwork belongs to the so-called\u00a0<em>\u00e0 moraillon<\/em>\u00a0kind of locks, designed for closing chests and coffers, and quite common in the Gothic and Late Gothic periods, especially in the French and Spanish areas.<br \/>\nThe present one shows a typical quadrangular shape and a warm brown patina; moreover, it has a rather unusual and rare decorative layout.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1698\" src=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/B_superiore.jpg\" alt=\"\" width=\"806\" height=\"550\" srcset=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/B_superiore.jpg 551w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/B_superiore-300x205.jpg 300w\" sizes=\"auto, (max-width: 806px) 100vw, 806px\" \/><\/p>\n<p>The upper part is marked by three embossed and engraved vertical elements, imitating three knobby trunks wrapped in helical bands: the first and third elements are the staples anchoring the lock to the chest, while the second and tilting one is the keyhole cover; a small winged dragon with knotted tail, carved in full relief, appears between the first and the second element, with the aim to adorn the\u00a0<em>moraillon<\/em>\u00a0below and also to enable the grip of it when the coffer has to be opened.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1696\" src=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1.jpg\" alt=\"\" width=\"801\" height=\"1672\" srcset=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1.jpg 1150w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1-144x300.jpg 144w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1-491x1024.jpg 491w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1-768x1603.jpg 768w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1-736x1536.jpg 736w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/C_tre-quarti-1150x2400-1-981x2048.jpg 981w\" sizes=\"auto, (max-width: 801px) 100vw, 801px\" \/><\/p>\n<p>The lower part is a band decorated with two carved grotesque masks, separated by a rectangular plate with an\u00a0<em>orbe-voie<\/em>\u00a0tracery. This type of ornament consists of an overlapping of several pierced plates, each one with a different design, thus obtaining a precious effect imitating a goldsmith\u2019s work.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1700\" src=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/D_orbevoie.jpg\" alt=\"\" width=\"800\" height=\"373\" srcset=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/D_orbevoie.jpg 551w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/D_orbevoie-300x140.jpg 300w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p>Ironworking in Spain had already reached significant levels during the early Middle Ages, due to the Arabic presence, introducing new and sophisticated techniques; above all, Spanish blacksmiths drew from the Islamic aesthetic the taste for the minute and refined metalworking.<br \/>\nAt the same time, the iconographic theme of the dragon enliving this rich lock is omnipresent in the Christian world: used at least since the Romanesque period in the context of a vitalistic conception of ornamentation, it is undoubtedly among the protagonists of the Gothic\u00a0<em>dr\u00f4lerie<\/em>.<br \/>\nMoreover, dragons are recurrent elements in the typical decorative lexicon on locks and doorknockers: as well as heads and monstrous masks, they are elements decorating crossing points \u2013 not by chance \u2013 and often with an apotropaic meaning.<\/p>\n<figure id=\"attachment_1702\" aria-describedby=\"caption-attachment-1702\" style=\"width: 799px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1702 \" src=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/E_Cassone-MNA-ok.jpg\" alt=\"\" width=\"799\" height=\"545\" srcset=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/E_Cassone-MNA-ok.jpg 551w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/E_Cassone-MNA-ok-300x205.jpg 300w\" sizes=\"auto, (max-width: 799px) 100vw, 799px\" \/><figcaption id=\"caption-attachment-1702\" class=\"wp-caption-text\">Chest with \u2018moraillon\u2019 lock, Spain, circa 1500. Madrid, National Archaeological Museum<\/figcaption><\/figure>\n<p>This fertile crossroad of cultures is therefore at the origin of an unparalleled Spanish flair in the art of iron, long-lasting over the centuries, of which this lock is a significant example. A really appealing work, not only for its compositional invention, but also because it shows the simultaneous application of all the major metalworking techniques: embossing, piercing, engraving and full-relief carving.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1704\" src=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/A_serratura-intera-ok.jpeg\" alt=\"\" width=\"1000\" height=\"1063\" srcset=\"https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/A_serratura-intera-ok.jpeg 961w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/A_serratura-intera-ok-282x300.jpeg 282w, https:\/\/www.cesatiecesati.com\/wp-content\/uploads\/2023\/07\/A_serratura-intera-ok-768x817.jpeg 768w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/p>\n<p><strong>CHEST LOCK<\/strong><br \/>\nWrought, embossed, carved and pierced iron<br \/>\nSpain<br \/>\nCirca 1500<br \/>\nCm 20,5 x 22,5 h<\/p>\n<p><strong><em>References:<\/em><\/strong>\u00a0Henri Ren\u00e9 d\u2019Allemagne,\u00a0<em>Decorative Antique Ironwork<\/em>, Dover Publ., 1968, Pl. 39; Catherine Vaudour,\u00a0<em>Clefs et Serrures, des origines au commencement de la Renaissance, Catalogue du Mus\u00e9e Le Secq des Tournelles,<\/em>\u00a0Fascicule II, Rouen Offset Fernandez, Rouen 1980, p. 72-75.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This intriguing ironwork belongs to the so-called\u00a0\u00e0 moraillon\u00a0kind of locks, designed for closing chests and coffers, and quite common in the Gothic and Late Gothic periods, especially in the French and Spanish areas. The present one shows a typical quadrangular shape and a warm brown patina; moreover, it has a rather unusual and rare decorative &hellip;<\/p>\n<p class=\"read-more\"> <a class=\"\" href=\"https:\/\/www.cesatiecesati.com\/en\/an-appealing-spanish-lock\/\"> <span class=\"screen-reader-text\">An Appealing Spanish Lock<\/span> Read More &raquo;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1707,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","footnotes":""},"categories":[16],"tags":[],"class_list":["post-1709","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opera-d-arte-en"],"_links":{"self":[{"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/posts\/1709","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/comments?post=1709"}],"version-history":[{"count":3,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/posts\/1709\/revisions"}],"predecessor-version":[{"id":3748,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/posts\/1709\/revisions\/3748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/media\/1707"}],"wp:attachment":[{"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/media?parent=1709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/categories?post=1709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.cesatiecesati.com\/en\/wp-json\/wp\/v2\/tags?post=1709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}